Friday, November 21, 2008
Tables are sure the more numerous objects and are just amazing: generally they have a black polished stone plan, on which have been realized the inlay or painting designs; some are realized with mixed techniques. Stones create some spectacular effects: a brown stone, streaked as a wood table becomes a violin; a pink stone that vanishes in orange becomes a peach, a red diaspro becomes a complicated coral branch… they have been realized with an incredible handicraft precision, the details are perfect, I assure that it gives just a three-dimensional effect to you, and is amazing how the choice of the right stone can reproduce exactly the color and the texture of another material.
Besides the plans of the tables the objects I appreciated most are: a majestic enormous Russian fireplace, entirely realized in green emerald diaspro and copper, and one wooden piece of furnture with several trays, mad in 1600, really amazing: in the form it imitates a rinaissance palace of Firenze, every little tray is decorated with a stone slab representing an exotic bird... Really a wonderful object, it would be perfect in my room!
I really love this museum, and sure suggest you to visit, the entrance is very cheap (just 2 euro), but for students is free.

an amazing table decorated with birds, flowers and fruits

an example of the decorations in semiprecious stones













Here you can find almost everything: from africans wooden sculptures to Indian hats, from Moroccan incenses to apache blankets. Can't imagine how many odd stuff can be found here, but prices are not so cheap. There's also a large part of the expo which is dedicated to furniture, there are both handcraft furnitures in ancient style and modern ones, very beautiful and elegant.
The plan is cross shaped, with three aisles and pointed arches. Arches are decorated with alternated green and white stones. The spans as they are approached all' apse reduces own width, increasing the perspective effect and giving the illusion that the aisles are longer than they really are. This testifies the huge skills of architects of 1200 AD: a careful study of the perspective, in an age in which it was still unknown. Over the altar has been recently replaced the famous wooden Christ by Brunelleschi, eventually restored. The ambient inside is wonderful in its simple perfection given from geometry, and is more lightful thanks to the three great windows of the apse.
